ektachrome vs ektar

Without accounting for reciprocity failure however, I found that even the longest exposure retained little to no shadow detail and a striking red colour cast. Modern Ektachrome films are developed using the E-6 process,[3] which can be carried out by small labs or by a keen amateur using a basic film tank and tempering bath to maintain the temperature at 100 °F (38 °C).

EM-27 is the mix-it-yourself version of EM-26. The relatively recent introduction of a brand-new slow-speed film really illustrates the growing strength of the analog shooting culture. Thanks for a such a great comparison. This less-than meticulous metering is possible in part due to the film’s latitude, boasting over 10 stops of dynamic range.

[25] However, the release date was later pushed to 2018 after it was discovered certain materials used in its manufacture were now unavailable, requiring a reformulation.

This is a hot version of.

I’ll get some rolls of Gold fired off and we’ll get on it. While production of medium format Ektar continued for a bit longer, it too was discontinued before the end of the 1990s. With medium and large format Ektar film things become even more outrageously enlargeable.

I shot a lot of Velvia50 commercially in the the 90s for editorial work.

Shots made on Ektar pop and dazzle with remarkable vividness that’s unmatched in color film. Metering Velvia and other slide films is more complicated than Ektar.

With the low ISO of 100, this is a fairly insensitive and slow film, and underexposing C-41 film is never good. This allows it to capture detail in the highlights which are blown out with the Ektar shot. Hey Gregor – nice article thankyou! The film was designed to be processed in the Kodak EKTACHROME Processing Kit, Process E-2, Improved Type. Im interested in more of these film reviews specifically Kodak Gold. Last time, we talked about Kodak’s Portra 400, a warm and rich color film that we thought was a pretty solid all-rounder. Post was not sent - check your email addresses! Hi Gregor. Find all of EMULSIVE’s darkroom-related articles right here. As such, special care was paid by Kodak to create a film that’s highly scannable, and the final scanned images are exceptionally rich. Additionally, while Ektar is a truly analog experience, it was created in an era in which digital is inarguably king.

E-7 is the "mix-it-yourself" version of E-6.

It is even possible for amateur labs to process Ektachrome within an hour using a rotary tube processor (made by Jobo, WingLynch or PhotoTherm), sink-line, or even by hand inversion in a small drum and E-2,[9] E-4, and E-6 processing chemistry kits were sold for home darkrooms. Real small shop that’s been doing it since the early days.

Your comparison Velvia 50 and Ektar 100 has inspired me to carry the emulsions on my next shoot. While Ektar 100 won’t make images as brilliant as slide film, and while it’s certainly less versatile than its faster brother Portra, in the right shooting situations it can create images that are simply stunning. Without much fuss you’ll be making images you’re proud of.

The most fundamental and obvious difference between these two films – one you will no doubt be well aware of – is that Kodak Ektar 100 is a colour negative film, and Fuji Velvia 50 is colour positive. But let’s take a real close look at Ektar 100, and see what Kodak’s cooking in color film. The focus point is different for each photo.

For Velvia however, the requirement to compensate is extreme and may affect anything over one second by decreasing sensitivity, increasing contrast and potentially adding colour casts.

On the full-frame photo, you can read “Sport” on the gold part in the middle of the bike on the Lomo side and you can’t make it out on the Ektar side. Anyhow,what do all you Bg K shooters plan to shoot with in "its" place...?​, Go digital. This is also clearly seen in the images that have sky in them.

Let me know which one you like.

Ektachrome has been used occasionally as a motion picture film stock, such as in the 1999 film Three Kings and the 2006 film Inside Man, in which each used cross processing in C-41 color negative chemistry to give a unique appearance.[4][5].

Link us to the shots when you get them if possible.

Ektar is a name that fans of Kodak and vintage cameras may recognize from days long passed. They all are darker with the Lomo film. This was due to a legal commitment by Kodak to provide the process for 30 years. Ektachrome E100 is no different from old school slide films in that it’s a difficult, inflexible film meant for the more experienced shooter (or at least one who has a reliable camera with an accurate metering system, and a general understanding of light). If you like what you're reading you can also help this personal passion project by heading on over to the EMULSIVE Patreon page and giving as little as a dollar a month. You can even see the front tire is in focus for Ektar and out of focus for Lomo.

Your email address will not be published. Designed for ultimate sharpness, rich colors, and vivid detail, the new Ektar quickly became a favorite darling amongst film shooters and production has since expanded to include medium and large format offerings.

As I am writing I notice that I need to order a fresh box of 120 rolls.

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