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Lewton, a consummate producer-auteur who oversaw every aspect of his projects, found an ideal director in Jacques Tourneur, a chiaroscuro stylist adept at keeping viewers off-kilter with startling compositions and psychological innuendo. Taking its cues from Hitchcock, De Palma’s scary and stylish paean to female destructiveness features a spine-tingling score from the great Bernard Herrmann. The words and worlds of two visionary poets flicker to life in these richly cinematic odes to American genius. Leslie Howard steps into the foppish finery of the seemingly ineffectual English aristocrat who, as his quick-thinking alter ego the Scarlet Pimpernel, rescues innocents from the guillotine during the French Revolution. Each month, the programmers at the Criterion Channel produce incredible line-ups for their subscribers. Heady, heated, and hilarious, Town Bloody Hall is a dazzling display of feminist firepower courtesy of some of the most influential figures of the era, with Mailer plainly relishing his role as the pugnacious rabble-rouser and literary lion at the center of it all. for fans of quality theatrical and home video releases. Bursting with the colorful street style and music of Nairobi’s vibrant youth culture, Rafiki is a tender love story between two young women in a country that still criminalizes homosexuality. We actually have major improvements to search and browsing that will be coming out very soon that we hope will address the biggest problems you mentioned here. With groundbreaking special effects makeup by Academy Award winner Rick Baker, Videodrome has come to be regarded as one of the most influential and mind-bending science fiction films of the 1980s. Featuring a new introduction by Hansen-Løve. Two taboo-busting tales of voyeuristic obsession explore the dangers of watching and being watched. Voices of Kidnapping and Nostalgia for the Light. In all, Breillat fearlessly delves into the intricacies of eroticism, power, and sexual politics, forcing viewers to confront that which makes them most uncomfortable and radically redefining the depiction of the female body on-screen. A self-described “blend of Magritte and R. Crumb—that European surrealism, but the weird, goofy sexual craziness of R. Crumb,” Plympton is a one-of-a-kind auteur of the absurd, an underground animation hero whose films hold a funhouse mirror up to the innate strangeness of everyday reality. Subscription payments will automatically renew unless deactivated at least 24-hours before the end of the current cycle. Channeling the influences of jazz and abstract expressionism, the husband-and-wife duo created strikingly hand-drawn and -painted works that pulse with the improvisational spirit of bebop (Date with Dizzy, a sly anticapitalist critique featuring Dizzy Gillespie) and childhood imagination (Moonbird, which sets a recording of their own children at play to free-flowing animation). He comes out of the womb walking, talking, and ready for action as he sets out on a quest to save his village from an evil sorceress. She plays a Cape Verdean woman who, after two decades of separation, travels to Lisbon to reunite with her husband—only to arrive mere days after his funeral. Kena and Ziki have long been told that “good Kenyan girls become good Kenyan wives,” but they yearn for something more. Copyright © 2020 Apple Inc. All rights reserved. I am a huge fan of film and the criterion collection.

The Criterion Channel. For August, the Channel will feature films from Bill Gunn, Mia Hansen-Løve, Terry Gilliam, Wim Wenders, and more! It came from a land down under … From the early seventies through the mideighties, a resurgence of government funding for national film production gave birth to a generation of brave, unconventional new voices who made Australia the home to a brief but bright-burning cinematic renaissance. Despite the political rivalry between their families, the girls encourage each other to pursue their dreams in a conservative society. Cut off from the world by his reclusive father (Peter Cummins), Mike (Greg Rowe), a lonely young boy, experiences an emotional awakening through his growing bonds with an orphaned pelican and Fingerbone Bill (David Gulpilil), an Aboriginal man estranged from his tribe.

Though Costa has made only a handful of films since the late 1980s, each is a rare treasure that manages to find truth and beauty in the bleakest of circumstances. Joan Baez, Bob Dylan, Howlin’ Wolf, Johnny Cash, the Staple Singers, Pete Seeger, Son House, and Peter, Paul and Mary were just a few of the legends who shared the stage at Newport, treating audiences to a range of folk music that encompassed the genre’s roots in blues, country, and gospel as well as its newer flirtations with rock and roll. The enduring love of families for victims of political violence reaches across time and space in two haunting topographic meditations on grief and hope. Prestige producer Alexander Korda applies his seal of quality to this rip-roaring swashbuckler, a rollickingly entertaining adaptation of the classic novel by Baroness Orczy, which introduced the widely imitated trope of a hero with a secret identity. Simone Simon stars as a Serbian émigré in Manhattan who believes that, because of an ancient curse, any physical intimacy with the man she loves (Kent Smith) will turn her into a feline predator. Complete list of films premiering on the Criterion Channel this month: Ryan is the Editor-In-Chief / Founder of CriterionCast.com, and the host / co-founder / producer of the various podcasts here on the site. “King of Indie Animation” Bill Plympton’s wonderfully weird creations are unmistakable: the wriggly, hand-sketched style, warped humor, and endlessly shape-shifting, transmogrifying images are the hallmarks of a singularly bizarre and brilliant imagination.

Shattering taboos with her unflinching, often shocking explorations of female sexuality and pleasure, Catherine Breillat emerged as one of the major voices of the New French Extremity, a movement defined by its transgressive focus on the corporeal realms of eroticism and violence. Frequently working with nonprofessional actors—which lends his films a documentary-like realism—Costa turns his unflinching camera on some of Lisbon’s poorest and most disenfranchised communities in endlessly rich revelations like Ossos, In Vanda’s Room, and Colossal Youth, each set in the city’s impoverished Fontainhas quarter. Start a 14-day free trial. Set during the final week of the Spanish Civil War, it tells the tale of a twelve-year-old boy who, after his freedom-fighting father is killed, is sent to a haunted rural orphanage full of terrible secrets. Add to this the horrible, almost unusable interface and search function and I sadly deleted my membership and the app.

Curated by guest programmer Ashley Clark, and based on the series of the same name that took place at Brooklyn Academy of Music in February 2019, Race, Sex & Cinema: The World of Marlon Riggs is a comprehensive retrospective of an essential artist whose work, more than twenty-five years after his death, remains every inch as resonant. The illustrious supporting cast includes Bob Fosse as the Snake, Gene Wilder as the Fox, and Donna McKechnie as the Rose. Fascinated by the tension between the carnal and the spiritual, Rodrigues has explored the extreme limits of both in daring tales of physical and psychic transfiguration like his startling debut, the grimy erotic shocker O Fantasma, and most recent feature, the iconoclastic modern-day religious odyssey The Ornithologist. Filmed on location in stunning Technicolor, this classic adaptation of Marjorie Kinnan Rawlings’s Pulitzer Prize–winning novel beautifully captures both the wonders of the natural world and the bittersweet realities of the human one. When thief Gaston Monescu (Herbert Marshall) meets his true love in pickpocket Lily (Miriam Hopkins), they embark on a scam to rob lovely perfume-company executive Mariette Colet (Kay Francis). Wenders’ gripping Patricia Highsmith adaptation The American Friend casts Dennis Hopper as the author’s recurring antihero Tom Ripley, here a menacing peddler of forged paintings who draws an ailing Bruno Ganz into his murderous web. A few years from now … As Bacurau, a small town in the Brazilian sertão, mourns the loss of its ninety-four-year-old matriarch, its inhabitants (among them national cinema icon Sônia Braga) begin to notice a series of strange happenings: their village has literally vanished from online maps, cell phones have stopped working, and a UFO-like drone hovers menacingly overhead. While Orson Welles’s majestically poignant adaptation of Booth Tarkington’s The Magnificent Ambersons has, despite the tragedy of its missing footage, taken its place as one of the auteur’s greatest achievements, Warner Bros.’ lurid take on Henry Bellamann’s taboo-busting best seller Kings Row occupies a different place in film history: as one of the most wildly hysterical melodramas ever made, a shockingly perverse portrait of the seamy side of small-town life that features star Ronald Reagan’s immortal utterance, “Where’s the REST of me?!”. First up, the film that all but ended British cinema titan Michael Powell’s career: the explosively controversial Peeping Tom, which stands as the most provocative and disturbing film ever made about the relationship between cinema, voyeurism, and violence. I was ready. Oh and if you feel overwhelmed by all the new stuff you’ve never heard of before, check out their Instagram - they’re constantly posting about interesting films and series. Built around a riveting performance from Rebecca Hall, Antonio Campos’s Christine takes a relatively straightforward narrative approach to its subject, powerfully and empathetically recreating the events that led to Chubbuck’s fateful decision. Featuring a new introduction by Seimetz and her short film When We Lived in Miami. Over the course of his incredible five-decade career, Wenders has traversed the landscapes of his native Germany (Alice in the Cities, Kings of the Road), the highways of the American Southwest (Paris, Texas), and the dream worlds of angels (Wings of Desire), working with master cinematographers like Robby Müller and Henri Alekan to create some of the most indelible images in all of modern cinema. The film—set in Scotland, rather than Czechoslovakia as Tati originally envisioned—follows a struggling illusionist, one of the last of a dying breed of stage entertainers whose thunder has been stolen by up-and-coming rock stars. These darkly atmospheric fairy tales stray into the forest to explore some of the primal anxieties of parents and children. In Matthew Puccini’s sensitively observed, award-winning short Dirty, a young couple’s relationship is put to the test as they navigate intimacy together for the first time. and Sisters. The gorgeous visuals and vibrant music of Senegalese legend Youssou N’Dour come together in a captivating fable overflowing with timeless morals, wisdom, and life lessons.

Start with Sunday Spotlights on directors, stars, genres, and themes; Tuesday’s Short + Feature; or the Friday double bill. The Criterion Channel is an alternative streaming service that aims to make those cinematic staples more accessible for $11 a month.

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